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Parametric equalization : ウィキペディア英語版
Equalization (audio)

Equalization (British: equalisation) is the process of adjusting the balance between frequency components within an electronic signal. The most well known use of equalization is in sound recording and reproduction but there are many other applications in electronics and telecommunications. The circuit or equipment used to achieve equalization is called an equalizer. These devices strengthen (''boost'') or weaken (''cut'') the energy of specific frequency bands.
In sound recording and reproduction, equalization is the process commonly used to alter the frequency response of an audio system using linear filters. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. An equalizer is the circuit or equipment used to achieve equalization. Since equalizers, "adjust the amplitude of audio signals at particular frequencies," they are, "in other words, frequency-specific volume knobs."
In the field of audio electronics, the term "equalization" has come to include the adjustment of frequency responses for practical or aesthetic reasons, often resulting in a net response that is not truly equalized. The term EQ specifically refers to this variant of the term.〔Ballou, pp.875-876.〕 Stereos typically have adjustable equalizers which boost or cut bass or treble frequencies. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent.
Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement to correct the response of microphones, instrument pick-ups, loudspeakers, and hall acoustics.〔 Equalization may also be used to eliminate unwanted sounds, make certain instruments or voices more prominent, enhance particular aspects of an instrument's tone, or combat feedback (howling) in a public address system.〔〔 Equalizers are also used in music production to adjust the timbre of individual instruments by adjusting their frequency content and to fit individual instruments within the overall frequency spectrum of the mix.〔
The most common equalizers in music production are parametric, semi-parametric, graphic, peak, and program equalizers.〔 Graphic equalizers are often included in consumer audio equipment and software which plays music on home computers. Parametric equalizers require more expertise than graphic equalizers, and they can provide more specific compensation or alteration around a chosen frequency. This may be used in order to remove (or to create) a resonance, for instance.
==Terminology==

The concept of equalization was first applied in correcting the frequency response of telephone lines using passive networks; this was prior to the invention of electronic amplification. Initially equalization was used to "compensate for" (i.e. correct) the uneven frequency response of an electric system by applying a filter having the opposite response, thus restoring the fidelity of the transmission. A plot of the system's net frequency response would be ''flat'', as its response to all frequencies would literally be ''equal''. Hence the term "equalization."
Much later the concept was applied in audio engineering to adjust the frequency response in recording, reproduction, and live sound reinforcement systems. Sound engineers correct the frequency response of a sound system so that the frequency balance of the music as heard through speakers better matches the original performance picked up by a microphone. Audio amplifiers have long had filters or controls to modify their frequency response. These are most often in the form of variable bass and treble controls (shelving filters), and switches to apply low-cut or high-cut filters for elimination of low frequency "rumble" and high frequency "hiss" respectively.
Graphic equalizers and other equipment developed for improving fidelity have since been used by recording engineers to modify frequency responses for aesthetic reasons. Hence in the field of audio electronics the term "equalization" is now broadly used to describe the application of such filters regardless of intent. This broad definition therefore includes all linear filters at the disposal of a listener or engineer.
A British EQ or British style equalizer is one with similar properties to those on consoles made in the UK by companies such as Amek, Neve and Soundcraft from the 1950s through to the 1970s. Later on, as other manufacturers started to market their products, these British companies began touting their equalizers as being a cut above the rest. Today, many non-British companies such as Behringer and Mackie〔(【引用サイトリンク】title=Extraordinary EQ from Extraordinary Engineers )〕 advertise British EQ on their equipment. A British style EQ seeks to replicate the qualities of the expensive British mixing consoles.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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